The Divine Drama

This year my intention is to read the Bible all the way through chronologically (a Back to the Bible reading plan). It’s been a while since I’ve attempted anything so ambitious, but so far, so good. The first few months are pretty straightforward: Genesis 1-11 followed by Job, and after that straight through up to I Samuel, where they start throwing various Psalms at you. Kings alternate with prophets, epistles with Acts, gospels dance together, etc.—should be interesting.

What strikes me this year, and not for the first time, is the presence of God. He is the main character, but somehow it’s easy to overlook just how active he is, how generous, and how much there. He inhabits the story even before there is a story. He is the director, but also the principal actor. He thinks and acts and feels, grieving in his heart over every intention of man’s heart.

If history is merely the unfolding of a preset plan, why grieve? He’s not just watching or directing, he’s participating. He makes a covenant “with every living creature of all flesh that is on the earth”: from bacteria and paramecium to every last man and woman. Each individual life is in his hands but their species is secured “while the earth remains.”

After Genesis 3, and after the flood, the story continues with an abiding tension, as is proper to any drama. The gulf between God and man is fixed and no one can cross it. With the story of Job, the frustrating adage of every parent and sage is born: “Who ever told you that life is fair?”  Job’s chief lament is that he’s arguing with the inarguable. No one can speak for him or answer for him. The “Almighty” (used singularly, rather than “Lord Almighty,” only in Job) seems to stand far off and involves himself only to torment: “What is man that you make so much of him?”

Job wants to make something of himself before God. He dreams of a relationship restored, while his friends insist that’s impossible. They’re sticking to a mathematical calculation of rule and reward, as legalists have done ever since. But Job is haunted by the idea of an advocate (the seed, the serpent-crusher, the redeemer). And he’s right to imagine so. God is not an abstract ethos. He is present. He is involved.  He storms upon Job’s third act and takes over the narrative. Does Job want an answer? Here’s the answer: not a proposition, but a presence that will continue to dominate as prehistory gives way to ancient history and a pagan from Ur is called out to be a wanderer.

The drama continues . . .

Bible Challenge, Week 6: The Promise – Isaac

What’s there to think about Isaac?  A promised child, a near-victim, a weak husband, a gullible father . . . meh.  He fades into the crack between Abraham and Jacob. and we see very little of his actions, even less of his inward thoughts.  The defining moment of his life may well have been the instant when, somewhere around 15 years old, he lay bound on a stone altar gazing up at a knife held by his own father.  Trustingly? Fearfully? Incredulously?  Maybe all those things at once, and the experience could have scarred him for life.  But now he enjoys an eternal existence as one-third of the patriarchal triumvirate, the “Abraham-Isaac-and-Jacob that the God of Israel would identify Himself by.

It turned out okay for him.  However colorless he appears, being a vital link in the chain of God’s covenant blessing is no small thing.

 

Click here for the pdf download:

Bible Challenge, Week 6: The Promise – Isaac

(This is a continuation of a series of posts about the “whole story” of the Bible.  I plan to run one every week, on Tuesdays, with a printable PDF.  The printable includes a brief 2-3 paragraph introduction, Bible passages to read, a key verse, 5-7 thought/discussion questions, and 2-3 activities for the kids.  Here’s the Overview of the entire Bible series.)

Previous: Week 5: The Promise – Abraham

Next: Week 6: The Promise – Jacob

Bible Challenge Week One: The Setting

(Today we begin a series of posts about the “whole story” of the Bible.  I plan to run one every week, on Tuesdays, with a printable PDF.  The printable includes a brief 2-3 paragraph introduction, Bible passages to read, a key verse, 5-7 thought/discussion questions, and 2-3 activities for the kids.)

Every story has certain elements in order to be a story.  We often think of characters first–somebody has to act in the story, and there’s usually a hero, or protagonist.  Usually, though not always, there’s also an adversary, or antagonist.  And then, of course, something has to happen.  Some kind of problem develops, or a conflict arises, that the hero has to solve or resolve.  The plot develops around this conflict and resolution, working its way to a climax.

But there’s another story element that we often overlook, and that’s the setting.  In some contemporary stories, the setting is not especially consequential: it could be any modern city, or Midwestern small town.  But in historical fiction, or science fiction, or regional fiction, the setting leans in, shaping a plot that couldn’t take place anywhere else, or in any other time.  (I wrote about the importance of setting in great westerns on my other website.)

The Bible story also starts with setting: the heavens and the earth.  We often pass over it in order to get to characters and plot, but for this week, let’s linger and think about what the setting means for this particular story.  What meaning is packed into the very first sentence of the world’s greatest story?

Here’s the download for our first week:

Bible Reading Challenge, Week One: The Setting

I neglected to add a Key Verse to the download, so I’ll put it here: Genesis 1:31–

And God saw everything that he had made, and behold, it was very good.

Next: Week Two: The Problem – Rebellion